导演:依莱姆·克里莫夫
主演:依莱姆·克里莫夫 Valentin Rasputin Stefaniya Stanyuta
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragicall A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.
Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
…求推荐几部背景为二十世纪五十至八十年代欧洲的电影
《爱在日落黄昏时》(Before Sunrise,1995):这是一部关于两个年轻人在维也纳度过一个浪漫的夜晚的电影。影片背景是20世纪90年代初的欧洲,但是影片中也有很多关于欧洲二十世纪六七十年代的文化、社会和政治方面的隐喻和影射。详情